Layar – Mobile Augmented Reality Technology

Layar on PW

EDIT 10 MAY 2013: I’ve just been informed that Layar won’t be part of the Sydney Writers’ Festival this year. I still recommend you check out this amazing technology and consider how it may be used.

In my previous post Reading in the E-Future I discussed the line up at the fantastic upcoming event at the Sydney Writers’ Festival this year.

Naturally I’ve been enjoying researching all my sessions for this year, but wanted to share with you a little bit more about Layar as it really is an interesting development.

Although there are many videos online of how it works, if you don’t have access to a magazine that has worked with Layar I’d recommend the following:

This blog post on the Layar site talks about the recent use on the Publishers Weekly cover.

In order to experience this for yourself I’d recommend you try the following example:

1. Download Layar from the app store – it’s a free download.

2. Go to the link mentioned above, the post about the use by Publishers Weekly.

3. Click on the image of the cover in the post, or click here, or even click the image above.

4. With the Layar app open, hold it over the cover image on your computer and access the additional content.

Continue reading

Share in top social networks!

Reading in the E-Future at Sydney Writers’ Festival 2013

What is the future of reading?

Reading in the E-Future

  • How has your reading changed over the last five years? Have you moved on or stayed with predominately reading on paper?
  • Do you read on your computer, smart phone or tablet?
  • And do you have a preference?
  • Does the choice of what form you read on change what you read?
  • Is there a need for newspapers when we all know that Twitter is first with breaking news?
  • Do you read paper newspapers or online or on a Tablet or via the Facebook page of the news service?
  • Will the readers of the future only consume content in 140 character counts or short updates via their social media of choice?
  • And how will that that impact how we write?
  • Are words enough anymore or do readers need accompanying audio or video and will this stop us being immersed in what we read?
  • Or will extra digital content help us understand the creation in a deeper way?
  • Does language need to evolve to suit different forms?
  • And if so, how should language evolve? 
  • Is there a difference in understanding between linear and non-linear reading?
  • A difference in our cognitive approach?
  • And how do you design for the E-Future when you’re in the here and now?

I won’t pretend to have all the answer to these questions, but the wonderful panel I am facilitating at the 2013 Sydney Writers’ Festival may have some discussions along these lines.

Reading in the  E-Future is presented in collaboration with Vivid Ideas and supported by the Plain English Foundation.

The panel features the following speakers:

Continue reading

Share in top social networks!

Summer of the Seventeenth Doll iPad App

The Doll App by Currency Press

Summer of the Seventeenth Doll, by Ray Lawler, was first performed in Melbourne in 1955 and is universally acclaimed as one of the most significant plays in the history of Australian theatre. This was one of the first to show Australian life and characters with unabashed honesty and to be performed with Australian accents.

Amazingly for the time, after runs in Melbourne, Sydney and around the country it moved onto a successful London season, backed by Sir Laurence Olivier, and a less successful Broadway season.

Performing Arts Publisher Currency Press has just released an inspirational and educational app for The Doll. It will introduce the work to a new audience and delight those familiar with the play through its curated interactive content.

I’ve been reintroduced to the play, last experienced in long-ago school days. With a depth of content related to this iconic work I’ve spent a lot of time listening, looking and watching some of the content in the app. Despite this, I feel I may not yet have discovered all it can offer!

TheDoll App Timeline 1970s

I talked to Digital Project Manager and Curator Toby Leon from Currency Press to find out about the project.

Digireado: Congratulations to you and Currency Press. How long has Currency Press been publishing The Summer of the Seventeenth Doll?

Leon: The play was originally published by Angus & Robertson, before being taken up by Fontana Press. Currency Press secured the publishing rights in 1978, the year after The Doll Trilogy was performed for the first time – and in repertoire – at the Melbourne Theatre Company. Continue reading

Share in top social networks!

Happy 2013 and Digital First Publishers – Part 4 (Escape Publishing)

Happy 2013 and Digital First Publishers – Part 4 (Escape Publishing)

Happy 2013 to all the Digireado readers! I appreciate each and every one of you reading the posts. I know that the coming year will be another exciting one for publishers, writers and readers. I enjoyed many opportunities in 2012 to teach and talk to authors and publishing students about the changing face of publishing.

2012 also saw the publication of my first book - Crowdfund it! Having spent most of 2012 researching crowdfunding, I also commenced blogging and tweeting about the subject. It’s no surprise that literary projects are ones I take a particular interest in as this is a way for writers to have the potential to self-fund their professional publication in order for it to compete with those traditionally published. If this is interesting to you then the seminar at the NSW Writers’ Centre in April may be for you! I’ve been doing a lot of work behind the scenes on crowdfunding and hope to share more of this soon.

If you are a writer trying to decide what strategy you should pursue, then you may find the one-on-one sessions I’m conducting at the Australian Society of Authors in February a benefit. You can read more about how to book on their website. I’ll try and keep you posted about other events I’ll be speaking at or conducting via the blog of my Digireado Facebook page.

It’s always a delight when I meet some of my readers or followers so please always say hello if there is the chance.

Now onto another blog post!

This post, part of my series about digital first publishers, has been rather a long time coming! Writing about digital often needs to come behind paid work and other pressing matters that involve small children.

Harlequin Australia announced Escape Publishing in August 2012 to take their well-known business to a new global market. As part of Harlequin Australia, Escape Publishing is a digital first publisher with global deals and distribution.

Continue reading

Share in top social networks!

Things You Need to Know About ISBN Numbers via BiblioCrunch

I don’t normally run excerpts from other posts on the Digireado blog as I prefer to have original content. Every now and again though I come across something that is important to share.

I covered the BiblioCrunch Book Marketplace in this post, and their blog for self publishers has some great content – I’ve also added them to the Digital Gurus page if you want all their details.

Because BiblioCrunch is US-based I’ll just mention a couple of points relevant to our region:
  • In Australia ISBN’s are managed by Thorpe-Bowker.
  • For your initial registration you will need to pay a fee of A$55. This is a once-only fee.
  • After that, fees are as listed on this link – ie A$40 for one ISBN, and $80 for a block of ten. I strongly recommend purchasing a block of ten in order to assign different ISBN’s as listed in the post on BiblioCrunch.
  • In New Zealand the National Library is responsible for ISBN allocation –  please see this link.
  • Happily for New Zealand authors and publishers, these ISBN’s are allocated free – although digital editions (for ebooks) are required to be emailed to them or physical editions mailed to the Legal Deposit Office at the National Library.

Excerpt from BiblioCrunch Self Publishing Blog: – Things You Need to Know About ISBN Numbers

Did you know that having an ISBN number ups your rank in Google? Or that there is no such thing as an eISBN? A lot of the authors we work with ask whether they need an ISBN? We had a chance to speak to Laura Dawson of Bowker, the company that distributes ISBNs, to get the down and dirty on these elusive numbers.

1) In essence, what is an ISBN?
An ISBN (International Standard Book Number) identifies a particular book in a particular format. It is 13 digits, and starts with 978 or 979. The final digit is a checksum that’s calculated based on the preceding digits.

2) Who should get an ISBN for their book?
Anyone publishing a book that wants the book to be openly traded (outside a walled garden like Amazon) and/or counted in book industry statistical analyses. Also, if you are interested in your book listings being found on the open web (via Google, for example), search engines prioritize books with ISBNs in search results.

Click here to read the rest of this post, including why you can’t use one ISBN for all your book formats on the BiblioCrunch Self Publishing blog!

You may also be interested in reading the following posts:

Share in top social networks!

The Forgotten Sales Channel Part 2: Australia’s Top 3 Book Distribution options for Self-Publishers

This is the second post about book distribution and the book retailing business in Australia, kindly written as a guest post by Richard Bilkey. You can read Part One here. Those writers who intend to self-publish and have printed books as well as ebooks will find these two posts indispensable reading. This is not information easy to come by and it’s a pleasure to have Richard’s knowledge to add to the resources on the blog.

RICHARD BILKEY IS THE FORMER PRODUCT MANAGER FOR BRUMBY BOOKS, ONE OF AUSTRALIA’S LARGEST INDEPENDENT BOOK DISTRIBUTORS. HE IS NOW A FREELANCE PUBLISHING CONSULTANT AND BOOK COACH BASED IN SYDNEY. YOU CAN FIND HIM AT FICTION ET AL AND READ HIS BRILLIANT BLOG.

 

In Part 1 of our discussion of book distribution options in Australia we examined why self-published  authors should not limit their sales channels to a small number of online retailers at the expense of brick & mortar bookshops. Today we are going to dig deeper into the book distribution options in Australia and take a look at three of the leading book distributors that are worth partnering with.

How much does professional book distribution cost?

Book distributors use the Recommended Retail Price (RRP) as set by the publisher as the basis for payment and the standard terms are between 65-70% off the retail price for each book sold. This means publishers will receive 30-40% margin on each book sold, or an average of about $7 on a book with an RRP of $19.95. If 65-70% seems high, remember that the distributor will need to give away around 40-45% discount to the bookseller on every sale and so they typically only receive around 20-25% of the RRP on each sale to cover all their costs.

It’s extremely important to be aware of these numbers if you are considering distribution into bookstores and to factor them into your publishing plan before producing your book so that you can calculate your costs and margins effectively. Don’t forget that, while the distributor will cover freight to and from booksellers, the publisher will need to pay to send their books to the distributor in the first place, so this also needs to be accounted for in the cost of each book.

What else do I need to consider when looking for a Book Distributor?

Continue reading

Share in top social networks!

The Forgotten Sales Channel Part 1 – Book distribution for self-publishers

The following post about book distribution and the book retailing business in Australia is a guest post from Richard Bilkey. I’m very grateful to have this information to share with readers – thanks Richard! Part One will set the scene for the current bookselling landscape in Australia and why a book distributor is important.

Richard Bilkey is the former Product Manager for Brumby Books, one of Australia’s largest independent book distributors. He is now a freelance Publishing Consultant and Book Coach based in Sydney. You can find him at Fiction et al and read his brilliant blog.

 

As any regular reader of Digireado will know, it’s an exciting time to be an author. Yet, as the ranks of independent authors rapidly grow, very few self-publishers are bothering with brick and mortar bookshops anymore. It’s not difficult to see why—sales and distribution into bookstores has always been a notoriously difficult and costly task, while the closures of large chains and cherished independents alike have led to widespread speculation that high street bookselling is obsolete. Compare this to explosive growth in online self-publishing services, such as CreateSpace, Smashwords, Lulu and PressBooks, who not only offer affordable publishing options but also guarantee that your book will be available globally in eBook and print formats.

Continue reading

Share in top social networks!

Crowdfunding writing projects

It is probably no surprise that one of my particular joys is finding out about writing projects that utilise crowdfunding to come into existence. After all, it’s the intersection of my two different passions – publishing and crowdfunding!

I’ve worked at the cutting edge of new technologies over the years: the early days of building internet content sites from book material; working out how to get mobile content onto phones from (mostly) internet sites; experimenting with digital marketing and setting up an ebook program.

To me, crowdfunding is a new frontier. It has grown due to social media and the ability to share the projects with your friends, family and colleagues through social media.

It is also enabling projects – writing or otherwise – to be created that may never have had the chance to exist otherwise. This is of particular interest to me because for many years I’ve been speaking to authors about producing quality self-published books and ebooks. There is no doubt that it is possible to create great products but the author needs to outsource or spend a lot of time on many of the functions that  a publisher provides. These include editing (MUST include editing), ebook conversions and/or digital book printing, purchasing an ISBN, ebook cover design, internal layout for printed books, marketing and liaison with retailers,  distributors and bookshops (for printed books).

All of these costs add up and it’s only a small number of authors who have the pot of money put aside to invest in their publication or project without any assurance of return. It’s challenging.

Crowdfunding has the potential to fund your project upfront and is offering writers and entrepreneurs a new avenue of network and financial support.

On the Crowdfund it! blog I’m starting to feature writing projects and thought readers may be interested in these two:

The Red Room Company is a not-for-profit organisation that creates, publishes and promotes poetry in unusual ways. They received funding to create a poetry app called The Disappearing. This app maps poetry around Sydney and is available for free on the iTunes Store or Google Play.

Read this post to find out how they used crowdfunding to expand their app to map poetry from all over Australia.

Of course, not all projects reach their funding targets and preparation and research are needed. More than half the projects listed on crowdfunding sites fail to make their target funding and with an ‘All or Nothing’ model used by most platforms the creator won’t receive any money, no matter how close they come.

Sometimes failure is a great learning opportunity and this was the approach of  journalist, PR Consultant and blogger Johanna Baker-Dowdell. Her first project to raise funds for publication of her book  Business & Baby on Board fell a heart-breaking $320 short of target.

Find out how Johanna turned failure into success by re-running her project and achieving her funding target in this post.

I have some more posts planned where I speak to writers to find out how they crowdfunded their writing projects.

 

To read more inspiring case studies of successful crowdfunders around the globe purchase a copy of Crowdfund it!  directly from the publisher website for $7. It is also available on ReadCloud bookseller partnersAmazonKobo, iBookstore, Booki.sh partner booksellers, Booku, and Bkclub.

 

Share in top social networks!